Objects, Images, and Spaces of Health
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Participants at Consortium activities will treat each other with respect and consideration to create a collegial, inclusive, and professional environment that is free from any form of discrimination, harassment, or retaliation.
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Upcoming Meetings
There are no currently scheduled upcoming events.
Past Meetings
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November 10, 2023
"Marginal Recipes, Major Insights: Exploring the Manuscript Contexts of Early Medieval Medical Knowledge"
Claire Burridge (Sheffield)
Response: Debby Banham (Cambridge)
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October 13, 2023
"'The Männel is a root, it should be called an Allraune': A Mandrake, Magic, and Money in Seventeenth-Century Saxony"
Tara Nummedal (Brown)
Response: Alisha Rankin (Tufts)
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September 8, 2023
*Note Special Time*
"Figuring Racial Difference in Early Nineteenth-Century France"
Stephanie O'Rourke (St Andrews)
Response: Suman Seth (Cornell)
As framing for the piece, Stephanie says:
This text is the fourth and final chapter of my current book manuscript. This book argues that in the late eighteenth and early nineteenth centuries, picturing landscape functioned as the primary means through which European artists grappled with an enormous transformation in how humans relate to the natural world, characterized by the management and extraction of “natural resources” on an unprecedented scale and within a global network. This entailed, among other things, employing novel systems for measuring, analyzing, and manipulating natural phenomena across vast distances. The challenge for artists during this period lay in creating pictorial modes that could be commensurate with such procedures. Multi-national in its scope, this book explores how European landscapes pictured the natural environment in relation to specific extractive industries such as mining and timber harvesting as well as emerging concepts about race, climate, and waste operative within the continent and its colonial networks.
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June 9, 2023
"Who Is a Maker? Artisan Knowledge in Medieval India."
Eric Gurevitch (Vanderbilt)
Response: Tillmann Taape (Herzog August Biliothek)
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May 12, 2023
"Aromatic Medicines and Divine Scents in Women's Medicine"
Wee-Siang Margaret Ng (College of Wooster)
Response: Jack Hartnell (UEA)
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April 14, 2023
"Can Mixtures Be Identified by Touch? The Reception of Galen’s De complexionibus in Italian Renaissance Medicine"
Viktoria von Hoffmann (FNRS / Liège)
Response: Anita Guerrini (Oregon State)
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March 10, 2023
“Cutting the Body: Jacopo Berengario da Carpi and the Anatomical Woodcut”
Ariella Minden (Toronto / Bibliotheca Hertziana - Max Planck Institute for Art History)
Response: Taylor McCall (Medieval Academy)
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February 10, 2023
Epistemic Images: A Discussion
With Sietske Fransen (Bibliotheca Hertziana - Max Planck Institute for Art History)
Response: Alicia Petersen (Yale)... and all OISH Members
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December 9, 2022
Meredith Gamer (Columbia University)
“Bodies of Instruction"
Comment by Mary Fissell (John Hopkins University)
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November 11, 2022
Ben Breen (University of California, Santa Cruz)
"Colonial Magic and Contested Spaces of Healing in the Seventeenth Century Indian Ocean and Atlantic Worlds"
Comment by Philippa Carter (University of Cambridge)
Group Conveners
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Jack Hartnell
Jack Hartnell is Associate Professor of Art History at the University of East Anglia, UK, where his research and teaching focus on the visual culture of late medieval and early renaissance medicine, cartography, and mathematics. In 2019–20 he was the Dibner Fellow in the History of Science and Technology at the Huntington Library in California. Before starting at UEA in 2017 he held positions at Columbia University, The Courtauld Institute of Art, the Victoria and Albert Museum, and the Max-Planck-Institut für Wissenschaftsgeschichte in Berlin. He is the author of Medieval Bodies (Wellcome, 2018) and has a forthcoming book provisionally entitled Wound Man: The Many Lives of a Medieval Surgical Image.
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Elaine Leong
Elaine Leong is Lecturer in History at University College London, UK. She is the author of Recipes and Everyday Knowledge: Medicine, Science and the Household in Early Modern England and co-editor of Secrets and Knowledge in Medicine and Science 1500-1800 (Ashgate, 2011), Working with Paper: Gendered Practices in the History of Knowledge (Pittsburgh, 2019) and the Cultural History of Medicine in the Renaissance (Bloomsbury, 2021). She serves as co-editor of Osiris and the Social Histories of Medicine book series at Manchester University Press. Her current projects include a book-length project provisionally titled Reading Riviére in Early Modern England and “Technologies of Health c. 1450-1750” which is funded by a Wellcome Trust University Award
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