Victoria Dickenson (McGill)
The Saint-Domingue Albums: Hidden Hands, Lost Names and Local Knowledge
On 19 February 1766, a French engineer who had lived almost half his life in the French colony of Saint Domingue (now Haiti) sat down to paint a moth. This would not have been a remarkable event, if it had not heralded the beginning of an enterprise of natural history that was to occupy René Gabriel de Rabié (1717-1785) for the rest of his life.
By the time he left the island to return to France in 1784, de Rabié painted over 300 watercolours of the flora and fauna of Saint Domingue, as well as notes on habitats, habits and local names. Now bound in four albums, the watercolours were acquired in 1930 by Dr Casey Wood for the Blacker Wood Collection at McGill University Library in Montreal.
Though it is de Rabié’s signature on the paintings, he did not work alone. He was assisted in this enterprise of natural history documentation by his family and by the many enslaved people who worked as gardeners, cooks, household servants, fishers, paddlers and divers. Sara Johnson in her 2023 book Encyclopédie Noire urges historians to write the biographies not only of individuals like de Rabié who have left their traces in the documentary record, but also of the unnamed, the hidden, who are “lost or known only through fragments”.
Close reading of the de Rabié albums and other archival records, paintings, and published works from the period reveals a world of others, slender biographies pieced together from fragments but lives worth knowing and recording.
This research is part of the three-year research project Hidden Hands in Colonial Natural History Collections, funded through the Social Sciences and Humanities Research Council of Canada.